Ann Anagnost is Professor of Anthropology at the University of Washington.

In National Past-Times, Ann Anagnost explores the fashioning and refashioning of modern Chinese subjectivity as it relates to the literal and figurative body of the nation. In essays revealing the particular temporality of the modern Chinese nation-state, Anagnost examines the disparate eras of its recent past and its propensity for continually looking backward in order to face...(展开全部)

In National Past-Times, Ann Anagnost explores the fashioning and refashioning of modern Chinese subjectivity as it relates to the literal and figurative body of the nation. In essays revealing the particular temporality of the modern Chinese nation-state, Anagnost examines the disparate eras of its recent past and its propensity for continually looking backward in order to face...(展开全部)

"Remarkable….Ekirch has emptied night's pockets, and laid the contents out before us."—Arthur Krystal, The New Yorker Bringing light to the shadows of history through a "rich weave of citation and archival evidence" (Publishers Weekly), scholar A. Roger Ekirch illuminates the aspects of life most often overlooked by other historians—those that unfold at night. In thi...(展开全部)

"Remarkable….Ekirch has emptied night's pockets, and laid the contents out before us."—Arthur Krystal, The New Yorker Bringing light to the shadows of history through a "rich weave of citation and archival evidence" (Publishers Weekly), scholar A. Roger Ekirch illuminates the aspects of life most often overlooked by other historians—those that unfold at night. In this...(展开全部)

Only two major exhibitions from the fabled Chinese Palace Museum collections have been seen in the West - the first in London in 1935-36 and the second in the United States in 1961-62. These two exhibitions provided an extraordinary stimulus to the study of Chinese culture, revolutionized Asian art studies in the West, and opened the eyes of the public to the artistic tradition...(展开全部)

Only two major exhibitions from the fabled Chinese Palace Museum collections have been seen in the West - the first in London in 1935-36 and the second in the United States in 1961-62. These two exhibitions provided an extraordinary stimulus to the study of Chinese culture, revolutionized Asian art studies in the West, and opened the eyes of the public to the artistic tradition...(展开全部)

In The End of Japanese Cinema Alexander Zahlten moves film theory beyond the confines of film itself, attending to the emergence of new kinds of aesthetics, politics, temporalities, and understandings of film and media. He traces the evolution of a new media ecology through deep historical analyses of the Japanese film industry from the 1960s to the 2000s. Zahlten focuses on th...(展开全部)

In The End of Japanese Cinema Alexander Zahlten moves film theory beyond the confines of film itself, attending to the emergence of new kinds of aesthetics, politics, temporalities, and understandings of film and media. He traces the evolution of a new media ecology through deep historical analyses of the Japanese film industry from the 1960s to the 2000s. Zahlten focuses on th...(展开全部)

安东尼·D. 史密斯（1939—2016） 英国历史社会学家，伦敦政治经济学院民族主义与族裔研究专业荣誉教授，民族主义跨学科研究领域的重要开创者。其代表作包括《民族主义诸理论》（1971）、《民族认同》（1991）、《历史中的民族》（2000）、《族裔符号体系与民族主义：文化研究法》（2009）等。